"Are you his ghost, then?" "No—no," answered Jack. For what she lacked in appearance, Sheila compensated in gossip. He leaned forward, and looked into the eyes of the woman he loved, and it seemed to him that she sang back to him with a sudden note of something like passion breaking here and there through the gay mocking words which flowed with such effortless and seductive music from her lips. She turned to the stage, and Tristan was wounded in Kurvenal’s arms, with Isolde at his feet, and King Mark, the incarnation of masculine force and obligation, the masculine creditor of love and beauty, stood over him, and the second climax was ending in wreaths and reek of melodies; and then the curtain was coming down in a series of short rushes, the music had ended, and the people were stirring and breaking out into applause, and the lights of the auditorium were resuming.
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