One realized indeed then where the differences lay; the tender curves about Anna’s mouth transformed into hard sharp lines in Annabel’s, the eyes of one, truthful and frank, the other’s more beautiful but with less expression—windows lit with dazzling light, but through which one saw—nothing. But even with that furniture it remained extremely vague, the possible good and the possible evil as well! The possible evil! “I’ll go,” said Ann Veronica for the hundredth time. I overheard Jonathan Wild's instructions to Quilt Arnold, and though he spoke in slang, and in an under tone, my quick ears, and acquaintance with the thieves' lingo, enabled me to make out every word he uttered.
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