She turned to the stage, and Tristan was wounded in Kurvenal’s arms, with Isolde at his feet, and King Mark, the incarnation of masculine force and obligation, the masculine creditor of love and beauty, stood over him, and the second climax was ending in wreaths and reek of melodies; and then the curtain was coming down in a series of short rushes, the music had ended, and the people were stirring and breaking out into applause, and the lights of the auditorium were resuming. “I did it for love of you,” he said. She went down, flushed and light-hearted, to the Widgetts’ after lunch to make some final arrangements and then, as soon as her aunt had retired to lie down for her usual digestive hour, took the risk of the servants having the enterprise to report her proceedings and carried her bag and hold-all to the garden gate, whence Teddy, in a state of ecstatic service, bore them to the railway station. He moaned in excitement as his lips wrapped around the peak of her right breast.
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