To be free of outward distraction, he shut his eyes and concentrated upon the scraps she had given him; and shortly, with his eyes still closed, he began to describe Ruth's island: the mountain at one end, with the ever-recurring scarves of mist drifting across the lava-scarred face; the jungle at the foot of it; the dazzling border of white sand; the sprawling store of the trader and the rotting wharf, sundrily patched with drift-wood; the native huts on the sandy floor of the palm groves; the scattered sandalwood and ebony; the screaming parakeets in the plantains; the fishing proas; the mission with its white washed walls and barren frontage; the lagoon, fringed with coco palms, now ruffled emerald, now placid sapphire. What's this?" he added, stooping to pick up a piece of paper lying at his feet—it was Jonathan's memorandum. The next page was a drawing that she had made in pen and ink of his face, or what she had remembered of it. “Who tied this scarf here?” he asked, looking up. She declined and finished with a few of her favorite excerpts from Scheherazade. On the walls were noticeboards bearing clusters of newspaper slips, three or four big posters of monster meetings, one of which Ann Veronica had attended with Miss Miniver, and a series of announcements in purple copying-ink, and in one corner was a pile of banners. The air became hot and swollen with June humidity.
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