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“I’m still new to them. ‘Very well, never mind. The very sight of these impediments, would have appalled a less courageous spirit than Sheppard's—but nothing could daunt him. ‘But you have told them that I have been disguised, no? That I have broken into Remenham House, and—’ ‘No, no, child, don’t be alarmed,’ said her great-aunt, her tone soothing. Steps to aid the descent, which was too steep to be safe without them, led to, a door on the opposite side. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. “I have stood it for a month, Anna,” he exclaimed.
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